Tag: Coffin

FP151 – Coffin: Zonbi, Part 1 of 1

Welcome to Flash Pulp, episode one hundred and fifty-one.

Flash Pulp

Tonight we present, Coffin: Zonbi, Part 1 of 1.

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This week’s episodes are brought to you by the Relic Radio network.

It was TV before TV was TV.

To find out more click here!

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight, Will Coffin, urban shaman, and his tipsy roommate, Bunny Davis, receive reports regarding another practitioner of the occult arts.

 

Flash Pulp 151 – Coffin: Zonbi, Part 1 of 1

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

“What the #### was that guy’s deal?” asked Bunny, spitting a sunflower husk into the Eats and Treats’ trash barrel.

“He never sleeps.” replied Coffin.

“Huh? The ####?”

“He asked me to do it. He’s better off this way.”

“Was he serious, about the zombie?”

“Yeah, I think so. He’s generally pretty twitchy, but he looked especially rough today.”

The conversation had been a short one. Apparently the insomniac had been wandering about the south end of town, in the pre-dawn hours, when he’d come across a member of the undead. Unsure of how to proceed, the sleepless man had done the only reasonable thing: moved directly away, as quickly as possible.

The idea of informing Will had come the next morning.

Rising from the bench that made up his place of business, Coffin sauntered to the bus-stop. His crude-mouthed roommate trailed behind.

It was a poor time of day to push a vehicle through the city’s congested arteries.

Fifteen minutes into the ride, having replenished her fluid levels from a water bottle full of vodka, Bunny once again took up the subject.

“So, uh, what are we expecting? Is it anything like Return of the Living Dead? Tim used to love that ####ing movie, but I need a chunk bitten out of my ### like I need dental work by Godzilla.”

“Well, it’s not really -” his sentence was cut short by the look in his companion’s eyes. “What?”

“I – if all this other #### is real, if I gotta deal with ghosts and ####ing zombies, is… is Godzilla real too?”

Before responding, Coffin forcefully rubbed his eye with the palm of his hand.

“No.” He expelled a lungful of air through his nostrils. “There are varieties of zombies – it’s a bit of an umbrella term. I won’t know what exactly we’re dealing with until we arrive, but I’m guessing we’re not about to encounter a bunch of undead, 1980s-style, punk rockers.”

“Don’t be a smart ###.”

“I’m just saying we need to wait and see.”

* * *

Finding the wandering corpse in question was a simple enough matter, as Bunny wasn’t interested in asking after the lined-faced men who spoke only French to Coffin, and who consistently pointed him towards a particular paint-flecked townhouse.

As they approached, she noticed that all of the window screens had been ripped out, but their frames left in place – to her mind, combined with the black curtains beyond, it gave the rental the impression of lidless eye sockets.

Coffin thrust hard at the sharded edges of the plastic-hole that was once a doorbell, and a grating buzz emanated from somewhere in the interior.

“Maybe he’s sleepin’?” suggested Bunny, after five minutes of wobbling back and forth on the creaking front step.

Will had at the buzzer a second time, and his persistence brought results.

From within came the sound of a sliding chain-lock.

“Who you think you are!?” The stranger’s blond hair clumped in dirty tangles, and he wore only baggy black shorts. His chest sported an array of tattoos, which Coffin busied himself studying.

“This guy ain’t dead,” muttered Bunny. She reconsidered her flippancy, however, when her eyes adjusted to the patterns of black ink woven over the man, “ – oh ####, is he some sort of voodoo master?”

“Be gone,” the door-holder replied. The gap began to close.

“I’m Coffin.” Will brushed his thumb against the stubble at his chin. “Your fake Haitian accent is terrible, stop it. Show me the zonbi.”

“Uh, Coffin? Like, from the other side of town?”

“Yes – and who are you?”

“They call me, uh, le Roi de la Mort.”

Will raised an eyebrow.

“Seriously? Fine. I’ll call you Roy. Show me, Roy.”

His shoulders slumping, the self-crowned King of the Dead lead them inside. The ground level was well maintained, but Bunny felt no remorse at tracking dirt over the plush carpet. She whistled when she spotted the living room’s massive television, and the leather furniture it was surrounded by.

The basement was another matter.

Lying on a beaten brown couch, set flush with the far cinder-block wall, was a tall man, covered in grime. His eyes were open, and affixed upon the exposed duct-work that ran along the low-roof.

“Get up.” ordered Coffin, but the zombie seemed not to hear.

“Holy ####ing fairy testicles,” said Bunny. She was un-enthused with the odour of the place.

“OK, great, you’ve had the tour, now get out,” replied the home’s owner.

Coffin spoke directly to Bunny.

Coffin“There’s nothing magical about any of this, what we’ve got here is a social issue. This poseur has convinced his Haitian neighbours that he’s a Bokor: a sorcerer,” he pointed at the couch’s occupant, “- and this guy’s getting the short end of the stick. He’s convinced because they’re convinced.”

“How you figure? Mr Stare-y here looks pretty ####ing enchanted to me,” replied Bunny.

“Mostly the tattoos. Feels like there’s a lot of these guys lately – pseudo-mystics branded with badly translated Chinese characters and Germanic runes to look like they know what they’re doing. They catch wind of a few key ideas from someone who should know better than to talk to them, and then they set up shop scaring cash out of anyone gullible enough to believe them.”

Roy began to back slowly towards the wooden stairs that lead to the first floor.

Turning on him, Coffin cleared his throat. The counterfeit conjurer ceased his movement.

“I knew a guy who used to travel with the Grateful Dead. He was mostly just a new-ager, but he’d gotten hold of a tool, the work of an old wizard named Rousseau. Rousseau was a scribe, back when written spells still worked, but he required a method of correcting his labours, as ink was tough to come by – especially when you were grinding it out of bat gizzards and three weeks worth of gathered herbs. In the end his solution was to craft, well-” Will reached into his coat, retrieving a short length of ornate brass, with what appeared to be a glistening sponge upon its tip. “- this. It absorbed his errors. After he was done, he could just squeeze out the valuable ink and re-use it.”

Bunny shook her head.

“I don’t get it, I thought you said these unicorn molestors were playing pretend?” she replied.

“Blondy is, but the imitation-ghoul believes it. He probably tried to resist at first, ask for help when he could, but most of these folks are from Haiti’s boondocks, only here to work a factory job for a few years so they can return with enough money to set up something decent at home. We’re talking manual labourers doing back breaking work on fourteen-hour shifts, and for a lot of them, their faith is their strength, which includes the concept of the zonbis. As for the other locals – I mean, look at him, there aren’t a lot of people well versed in French or Creole around here, and, if this musty stumbler approached you, you’d probably figure he was just a jabbering homeless guy. Jack someone up on hallucinogenic drugs and hold them hostage for a few weeks in a world where everyone shuns them, and their mind goes a bit. He likely fought it, but now he believes.”

As they spoke, the man’s face remained ever-blank.

Bunny drained her tainted water bottle.

“The #### do we do then?”

“Convince him of something new. As I was saying, I got this fancy little stick from a Deadhead. He bartered it for a little help with his lung cancer. I couldn’t cure him, but – well, anyhow, when he wasn’t playing guru, he made his money as a tattoo artist. He told me this thing was fantastic when he’d pooch his line-work.”

Coffin waved the device across Roy’s chest, and a large swath of inscription disappeared. Within seconds the illustrations were fully replaced with bare skin, and the material at the end of the short handle dripped with black liquid.

Will turned, and was pleased to see he held the bewitched man’s attention.

“C’est fini,” said the shaman. “Allez!”

As if awakening from a long dream, the released stood, then approached the stairs with quickening steps. He was running by the time he disappeared from view.

“Do you know how much getting all of those hurt? Or how much it cost?” complained Roy.

“Probably more than it’s going to cost to get your carpets cleaned once I’m done purging my brush. Hope your landlord got a deposit.”

 

Flash Pulp is presented by http://skinner.fm, and is released under the Canadian Creative Commons Attribution-Noncommercial 2.5 License.

Text and audio commentaries can be sent to skinner@skinner.fm, or the voicemail line at (206) 338-2792 – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

FP145 – Coffin: Drifter, Part 1 of 1

Welcome to Flash Pulp, episode one hundred and forty-five.

Flash Pulp

Tonight we present, Coffin: Drifter, Part 1 of 1

[audio:http://traffic.libsyn.com/skinner/FlashPulp145.mp3]Download MP3
(RSS / iTunes)

 

This week’s episodes are brought to you by the Ladies Pendragon.

Find out more about their Pendragon Variety Podcast at http://pendragonvariety.com/

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight we find Will Coffin, urban shaman, and his associate, Bunny Davis, awaiting a disreputable delivery.

 

Flash Pulp 145 – Coffin: Drifter, Part 1 of 1

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

On the previous evening, Coffin’s roommate had discovered a Western-movie marathon playing on a dusty cable station, and she’d nested in front of the television for a long vigil with her vodka bottle. Now, Bunny was eager to discuss her new found enthusiasm.

“John Wayne? I love John Wayne,” she reported.

“Sure,” replied Will, watching the street.

Except for the waiting pair, the Plexiglas bus stop, and the darkened street beyond, were empty.

“Bullets? #### you, I’m John Wayne. I mean, True Grit – Missing an eye? #### you, I’m John Wayne.”

“Uh huh,” said Coffin.

“Acting? #### you, I’m John Wayne,” she continued, while taking a sip of whisky.

“I heard he couldn’t properly ride a horse.” Will replied, frowning at her upturned flask.

Bunny wiped a trickle of escaped spirits from her chin.

“When’s this #### pusher going to get here?” she asked.

A friend had conveyed the tip to Coffin a few hours previous, and, despite the tardiness of its proof, he still felt confident in the lead.

“The old mute said our drifter would be getting off the seventy-three, and it hasn’t passed yet. It’s just running late.”

Bunny grunted. “Ever seen The Shootist? Now there’s a ####ing -”

She was cut short by the grinding lurch of a city bus rounding the corner.

The behemoth rolled to a stop, its doors fluttering open just long enough to eject a thin man in a heavy brown sweater, then it continued on down the road, eventually pulling to the left, and out of sight.

“You the guy wanting the stuff?” the lanky faced newcomer asked.

Coffin inspected the blackened rings under his eyes, the sloppy grin, and the constant flurry that were the man’s hands.

“You certainly look like the guy with the stuff,” he replied.

“Yeah, I’m Jimbo.”

Bunny thought, at first, that Will had suddenly placed a Twizzler in his mouth – she realized quickly, however, that it was actually an ornately carved length of red wooden tube.

Coffin made a sound familiar to any school-child who’d dabbled with spitballs.

Just below Jimbo’s jugular, a bright plume projected from a sharp metal base.

“Whoa! Where’d that ####in’ come from?” asked Bunny.

Coffin“The south Pacific,” Will replied. He tucked away his blowpipe and motioned for the man to follow him down the sidewalk. With the stumbling gait of a pedestrian not watching their footing, the newcomer trailed the conversing pair. “I don’t use it much. It leaves a mark, doesn’t work on everyone, and I’m down to seven darts. There used to be two dozen, but I’ve lost a few.”

“Lost?”

“Yeah, and when I do get them back, I’ve got to sterilize them, which is a pain to accomplish without messing up the tail feathers.”

Coffin paused briefly, depositing some loose change into a newspaper vending machine and extracting a hefty sheath of weekend listings. He directed his troupe onwards.

“What the ####, anyhow? What do you care about this ###-bucket?” his drunken companion inquired.

“Well, every now and then someone with a little too much information needs to make some quick cash, and they end up tossing some concoction into a friendly drug dealer’s supply chain. Most small-time occultists are dealing in love potions, because, just like everywhere else, sex sells. Mixing the two is referred to as “drifting”. Thing is, these aren’t hippies hocking ditch herbs anymore – science has come a long way, and something like, say, meth, layered with a supernatural compound intended to invoke passionate fixation, can be a problem.”

The streets were damp from an earlier shower, which had kept passers-by to a minimum, but, as they turned into a shortcut which lead over a closing Home Depot’s empty parking lot, a late shopper in business attire pushed his clattering load of paint across their path. Taking in Bunny with her flask, and the heavy-footed shuffle of the slack-faced Jimbo, the suit’s cart picked up speed.

Once the interloper was out of earshot, Coffin continued.

“It’s never the people who get a little pinch here and there that are the real issue, it’s the guy who’s got a supply and is wandering with it. This guy isn’t local, he’s probably come all the way up here from Texas, or New Mexico – this is just another stop on the greyhound for him.”

“What’s with the traveling?” asked Bunny.

“He’s got to sell to live, and, for a while, people adore him as the bringer of goods. Attention is inevitable; he charges a fair price to part with the powder of his affection, and people eventually run out of money – but they still want it. Like anyone caught up in a forbidden affair, they get crazy, and before long he’s not feeling so comfortable about sticking around, because, by then, he’s also deeply involved with his stash, and he’s willing to leave everything behind to keep it safe. You can get a Greyhound ticket for straight cash and no questions, so, on the bus they go, off to play king for a day in the next city, pulling from his own supply the whole time.”

Having reached a point of deep shadow at the edge of a strip-mall construction site, Will called a halt to the procession. He frisked the man, and, taped to the flesh beneath the brown sweater, he found a thick packet wrapped in the white plastic of a grocery bag.

Coffin extracted the illicit goods and tucked them amongst the bright advertisements he’d retrieved earlier in the walk, ripping at the edges of the accompanying business section. He doused the wrapping from a yellow bottle which he pulled from his pocket, then tossed the package, and the remainder of the lighter fluid, into a trash barrel.

He chased it all with a match.

When he was confident the evening’s rain wouldn’t hold back the flame, he again set out.

Jiggling her nearly empty liquor cache, Bunny asked when they were heading home.

“Shortly,” Will replied. “With the dosages their love usually drives them to, many die between cities, on the buses. Some outlive their supply and turn vagrant, but their mind is always gone by then, and they just mutter to themselves about their obsession until they’re rounded up or die of exposure. The best we can do is to send him into a twenty-four hour clinic to make a confession about his chemical habits, and, when they can’t help him in the usual manner, hope that they get him a good psychiatrist.

“Means I’ll be down another dart, though.”

 

Flash Pulp is presented by http://skinner.fm, and is released under the Canadian Creative Commons Attribution-Noncommercial 2.5 License.

Text and audio commentaries can be sent to skinner@skinner.fm, or the voicemail line at (206) 338-2792 – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.