Category: Flash Pulp

FP350 – Mulligan Smith in Trial and Error

Welcome to Flash Pulp, episode three hundred and fifty.

Flash PulpTonight we present Mulligan Smith in Trial and Error
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This week’s episodes are brought to you by Talk Nerdy 2 Me

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight, Mulligan Smith, PI, finds himself matching wits with an apparent psychic.

 

Mulligan Smith in Trial and Error

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

Mulligan straightened his tie and shifted his weight to his left hip in an effort to make the joyless wooden chair more bearable.

Mulligan Smith, Private InvestigatorThe courtroom’s air conditioning was running at a blast that had the smattering of retirees in the gallery whispering complaints about frostbite, but the private investigator considered the inside of his black wool suit an oven. Smith had hated formal wear since his mother had first forced him into a double-breasted vest for his sixth grade Christmas pageant.

Glibert March, the defense attorney, was a suspenders snapper, and his slow pacing around his desktop’s worth of handwritten notes had given Mulligan plenty of time to bake.

It was little help that the faux-wood-paneled room had had a printed sign taped to the door insisting on no outside food or beverages. The cherry slurpee the detective had abandoned, he reflected, would have brought down his temperature as well as help wet his increasingly arid throat.

Finally, rocking back on his heels, the white-haired lawyer asked, “is it true that you hold a vendetta against psychics, sir?”

Smith shrugged. “Well, it’s true that I’ve run across a few, and that it doesn’t usually end well for them, but it’s mostly just that occasionally I get lucky and stumble across work that isn’t a husband with loose pants or an insurance fraud gig. I don’t have anything against kleptomaniacs either, unless they steal something.”

The red and white elastics holding up March’s pants were made taut by their owner’s thumbs.

“My understanding is that your client has given mine a full apology? Mrs. Helms certainly doesn’t seem to think he’s guilty.”

Wilbur Underwood, the defendant and a man with a mall Santa’s smile and beard, nodded emphatically at his counsel.

“My client,” answered Mulligan, “is under the mistaken impression that her dead mother is upset with her for having caused a fuss. She refuses to say where she got the notion, but I don’t think it takes a telepath to guess.”

March smirked and asked, “isn’t it also true that she feels you did nothing and refuses to settle your invoice? Could it simply be the case that you’re bitter at the loss of a paycheck?”

“We’re here in a criminal court because Capital City’s finest deemed it necessary to get Mr. Underwood off the street and away from the old ladies he was bilking. Do I like Wilbur? No, but it has little to do with the meals I’ll be missing and more to do with his lying, cheating, robbery, misrepresentation, and extortion.”

The pseudo-Santa snorted an outraged, “Ho!”

“Save it for the Ramones, pal,” answered Smith. “Let me be clear as to why I’m here: We’re talking about a grown man who loafs around his half-million-dollar condo until lonely people with emotional issues punch their credit card numbers into his automatic billing system and his phone rings. Maybe they miss a dead loved one, maybe they’re fretting over their own mortality, maybe they’re just lonely – whatever the case, they give Underwood a call and he answers with that soft burr of a grandpa voice.

“I can almost forgive him for the solitary folks – he’s getting paid, sure, but at least he’s keeping them company for the money. Even the usual ‘did you have a loved one who died of cancer? Was there an ‘E’ in their name?’ stuff is relatively harmless, if expensive.

“No, it’s the house setup that gets me. His ‘vision walks’ in which he asks the poor schmuck to picture their home.

“We’re at the front door,’ he says, ‘push it open. I’m in your mind with you, but to keep our connection strong you should tell me what you see. What are the things that matter most to you here – how do you see them? WHERE do you see them?’

“Ten minutes later they’re telling him about how sad Grandma’s string of pearls makes them, or how they still worry about the fight they had over the jade family heirloom they once had appraised on the Antiques Roadshow.”

“You’re well aware that it’s part of his technique,” answered March, “he asks it of nearly all his clients.”

“Yeah, and I wonder how annoyed he gets if all they focus on are family albums? Probably not as annoyed as the people who discover, a few weeks after they’ve hopefully forgotten the details of their session, that they’ve suffered a strangely precise B&E – and wouldn’t you know it, the object of their anxiety is no longer there. Is that how you allegedly better your client’s lives, Mr. Underwood?”

There was a legal scrimmage then, between the prosecutor, the judge, and the now red faced March. Mulligan regretted that it meant more time in the suit, but, before he could inquire about locating a turkey baster, the low murmuring broke up and details were deemed stricken from the record.

Again calm, the defense lawyer rolled back in his loafers and continued his interrogation.

His tone, however, had gained a hint of righteousness.

“You’re telling me you’ve come in here in your twenty dollar suit to shake down this poor man on the basis of a series of unfortunate coincidences?

“Wilbur’s generosity is well known throughout his neighbourhood. When he hired me on I was invited to a party in his home that seemed brimming with good cheer and friends who he had only helped better. ”

The lawyer’s voice grew hushed and thick. “You do not trust his line of work? Fine, but you cannot deny that it brings a certain whimsy and warmth to the lives of those he touches. A little something more – you might even say, a little something otherworldly?”

The private investigator’s eyes briefly widened, and he asked, “you seriously believe in him, don’t you?”
“Listen, I don’t care what Underwood does to make himself feel better, but I believe you when you tell me that he holds parties after ‘allegedly’ doing things like pawning Mrs. Helms’ dead sister’s earrings.

“You implied I was wasting my client’s money during the weeks I was following Underwood on his errands – well, let me tell you about an incident I witnessed just before things really hit the fan.”

“I don’t think -” began March, but Mulligan interrupted:

“It involves a Horizon Blue 1960 Corvette convertible.”

Smith paused then, yet his inquisitor simply raised his left brow and sent his thumbs in search of his released suspenders.

The detective tugged at his tie and began. “I had trailed Wilbur to a Whole Foods, which was weird for a bunch of reasons, including that it was on the far side of town from where he usually bought groceries, and that he rarely seemed to cook anything beyond those oven mini-pizzas anyhow.

“Wilbur is an eatin’ out kinda guy.

“Anyhow, it was maybe 8:30PM and a beautiful evening; warm with a hint of a breeze, and exactly the sort of night a classic car nut waits for to cruise with the top down.

“Even though the lot was mostly empty the Corvette was parked way back from the lights to keep it safe from being dinged by a rushing soccer mom’s minivan. Fifteen minutes after our arrival, Mr. Corvette returns with a bag in one hand and his keys in the other.

“From a few rows behind him, Grampy Underwood steps forward shouting, ‘sir, sir!’

“The shopper turns, but Wilbur gives him a worried look and rushes right past.

“As the mock psychic hustles around the ‘vette’s trunk a hooligan of maybe eighteen suddenly jumps up wearing full action-flick-burglar duds, balaclava included, and sprints away while trying to tuck a lock jimmy into his pants.

“Nothing’s actually happened of course, but the owner says, ‘wow, you’ve saved me from a world of despair.’

“‘Sometimes I get certain – feelings -’ replies Underwood, already starting into his patter.

“The whole arrangement cost him a hundred bucks, a free reading for a store clerk he knew, and a bit of internet research. I know because I was a half-block back when Underwood originally picked the masked kid up, and later on I had to offer twice as much to get the little bugger to narc on him.

”What I really want to know, though, is how long it took Wilbur to mention he needed a lawyer, and how big a discount he talked you into for supposedly saving your roadster, Mr. March?”

It would be the end of the detective’s testimony, but the remainder of the trial did not go well for Underwood.

 

Flash Pulp is presented by http://skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

Freesound.org credits:

Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

FCM13 – Half Time

Skinner Co.
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Hello, and welcome to FlashCast Minisode 013

* * *

  • Satan House!
  • * * *

    Also, many thanks, as always, Retro Jim, of RelicRadio.com for hosting FlashPulp.com and the wiki!

    * * *

    If you have comments, questions or suggestions, you can find us at https://flashpulp.com, or email us text/mp3s to comments@flashpulp.com.

    FlashCast is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    FPSE20 – Seeing the Light

    Welcome to Flash Pulp, Special Episode 20.

    Flash PulpTonight we present Seeing the Light
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    This week’s episodes are brought to you by the Bourbon Lounge podcast!

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight we find ourselves at the scene of an execution, with only moments till the axe falls.

     

    Seeing the Light

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    Skinner Co.

     

    Flash Pulp is presented by http://skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    FP349 – Regulations

    Welcome to Flash Pulp, episode three hundred and forty-nine.

    Flash PulpTonight we present Regulations
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    This week’s episodes are brought to you by the Bourbon Lounge podcast!

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    In tonight’s tiny tale of futuristic competition we question boundaries and swing at a possibly unsporting sports event.

     

    Regulations

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    Every spectator in Howard J. Lamade Stadium was on their feet except the eldest, Wallace Hart.

    Mitchell, his son, looked down from his standing ovation and frowned.

    “Come on, Pa!” said the forty-eight-year-old, “even you have to cop to the fact that that was amazing.”

    The old man simply shrugged.

    A Skinner Co. Podcast“He just saved us a grand slam with a fourteen foot jump, straight in the air,” continued Mitchell, “can’t you just admit that’s pretty spectacular?”

    With a moist clearing of his throat, Wallace replied, “boy, seeing some punk with cybernetic springs in his heels snatch a pop-up is as exciting as watching a bunch of high-powered hydraulics assemble a minivan back at the Ford plant.

    “They should start calling it the Machine League and stop pretending it has anything to do with the original game.”

    “Oh yeah,” said Mitchell, as he joined the throng in returning to their seats, “it was better when it seemed to take six days to finish at a run apiece.”

    Retrieving his gallon of soda, the jersey-wearing son prodded his father and pointed beyond the centerfield fence.

    “Hey, Dad, check it – yes, over there, with all the gray hairs: It’s a three-decade-long game from your time!”

    Snorting at his own joke, Mitchell took a pull on his beverage as a busload of late-arriving grandparents shuffled into their seats.

    “I understand playing to maximum potential, but sometimes rules are there for a reason,” replied Wallace, a grandfather himself. “Deregulation changed this from a sport to a science experiment. Look at that opening crack, when the Robinson kid rounded the first two bases in less time than it took you to realize he’d hit the ball – at that point why not simply go to a top-speed dragster exhibition?

    “Better yet, if he wins MVP do they give it to him or the doctor that cut off his legs and replaced them with those carbon fibre pistons? Doesn’t the pit crew that’s maintaining him deserve some credit?

    “You can call ’em coaches, but I’ll call ’em what they are: Mechanics.”

    Before Mitchell could answer a two hundred mile an hour pitch blew past the plate, ending the current hopes of the titanium-boned batter and the trio waiting twitchily on the stadium’s bases.

    As silence descended over the crowd the Little League World Series prepared to enter its second inning.

     

    Flash Pulp is presented by http://skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    FP348 – Mulligan Smith in Wants & Needs

    Welcome to Flash Pulp, episode three hundred and forty-eight.

    Flash PulpTonight we present Mulligan Smith in Wants & Needs
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    This week’s episodes are brought to you by Talk Nerdy 2 Me!

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight our private investigator finds himself entering a den of iniquity with questions on his tongue.

     

    Mulligan Smith in Wants & Needs

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    It wasn’t Mulligan’s favourite sort of place, but he was a man who believed deeply in an answer to every need – even if that need was not his own.

    Mulligan Smith, Private InvestigatorThe Hungry Lion was situated in a former Chinese buffet that had had its windows blacked out by thick red curtains. The parking lot was well paved and the cement walkways leading to the disreputable business had clearly been recently refinished.

    “Let me tell you about needs, Leo,” Mulligan was saying as he pushed his companion’s wheelchair along the ramp to the Lions curb. “The guy who runs this dimly lit cabaret needs to be at the center of things.

    “Sure, the cash is good – he once told me that he even operates Seated Sundays as a non-profit charity, then rents himself the building for the write off – but I happen to be pretty familiar with Murray, and I know he must have been the sort of kid who grew up at the edge of every game of spin the bottle, of every pool party, of every prom. You know the type: In all the stories, but never the main player. He wasn’t the big chinned jock, the smart one, or, frankly, any of the Breakfast Club characters – but he does have The Hungry Lion.”

    As he had repeatedly since first being fetched for this interview, Leo gave a mildly confused “huh” of agreement.

    They pushed through the darkened glass doors and the first wave of bass hit their ears.

    “Everyone needs a place,” Smith continued as he pulled open the interior entrance.

    The darkness inside meant Leo’s unadjusted eyes could see only the woman writhing in the spotlight. She was wearing a pair of purple booty shorts, a Hello-Kitty-as-samurai tattoo, and a “Hello, My Name Is…” sticker over her heart that had had ‘Anya’ written in with a thick black sharpie – and nothing more.

    “Anya, for instance,” said Smith, “is a nice lady who had the misfortune to fall for a jackass in a polo shirt that left her to raise twins on her own. She’s as sweet a human as you’ll ever meet, but she doesn’t like math and her winning smile made her teachers soft on her.

    “She’ll be damned if she’ll let her kids starve, and, besides, she likes making people happy.

    “It’s like I was saying: Everyone needs a place, even if that place has a bad rep.”

    As he seemed to be hypnotized by Anya’s rhythmic swaying, the PI could no longer tell if his seated companion was paying him any attention. Approaching a round brown-topped table at the approximate center of the room, Mulligan was sure, at least, that he had not noticed the fact that the rest of the dozen or so patrons were also chair-bound though no seating had been supplied by the establishment.

    After three minutes more of a White Zombie remix, Leo finally turned back to his apparent inquisitor.

    “Uh, you’re from Haymaker right?” he asked, “so what’s up with this place?”

    “You’re not listening, Leo,” Smith replied. “Everyone needs a place. This one is Seated Sundays.

    “Most of these mooks paying too much for pitchers of domestic draft are injured vets who’ve come back from the war. It may surprise you to hear, but it can be tough for a paraplegic to get a girlfriend when buried in medical debts and suffering from the occasional bout of PTSD.

    “That doesn’t mean they don’t need a little tender attention though. That’s how Murray got his idea for the charity, Seated Sundays. No cover charge for anyone in a rolling recliner, and a free lap dance for those who can show their dog tags. Donations are always welcome though, as Murray would gladly tell you.”

    Leo’s too-small eyes grew closer together. “You brought me down here to pass the hat for a strip joint? Uh, thanks.”

    Smith shrugged. “I wasn’t lying to you when I said I wanted to interview you on behalf of your insurance company, but, as you you’ve probably figured out, I’m no suit juggling actuary tables – but, hold on a sec, here comes a friend of mine, One Leg Mick.”

    Having spotted the hoodied PI, the man with the lone lower limb had launched himself in their direction with sturdy arms. His high-speed stop was sudden, and spoke of long practiced braking.

    “Hey, Mick, I was just telling my pal here about miracle flights,” Mulligan offered as his hello.

    “Miracle flights?” asked Leo. His confused squint had only strained further at the newcomer’s appearance, but, as Anya pranced from the stage, his attention was again absorbed by the announced arrival of Veronika.

    Despite the distraction, Mick said, “Hell, used to happen constantly when I worked at the airport, especially when security started ratcheting up.

    “‘Miracle Flights’ are what the cabin crew called ‘em. Some frequent flyer who knows the system claims they need a wheelchair from the airport. They’re rolled on by the flight attendant, but somehow they walk out cured. Hell, where was that sort of healthcare when I came back from the war? Ha!”

    “Huh?” asked Leo.

    “It’s for priority seating,” answered Smith. “They fake a condition so they can get on the plane ahead of the rabble.”

    Without warning the detective had Leo’s full focus.

    “Everyone needs a place in the world,” Mulligan repeated to him. “You should’ve done some research. Your paperwork states your spinal cord injury – your SCI – is complete. Do you know what that means?”

    “I can’t play badminton and Haymaker owes me an ass-ton of money?”

    “Yeah, and it pays out better than being SCI incomplete, but it also means you shouldn’t be so pleased to see Anya and Veronika. Actually, these folks are all SCI incomplete – it’s the fellas with totally severed nerves who have trouble, uh, raising the flag in salute.”

    Veronika swung wide on the pole, her thighs slowing her descent to the floor.

    Red faced, Leo’s forearms dropped to his lap for as much coverage as possible, but One Leg, his smile now a sneer, backed away and returned to the group in fatigues that he’d left at his own table.

    Smith, however, was not done: “What bothers me isn’t just that you’re taking money from people who need it – no, it’s more direct than that. Your wants give their needs a bad rep.”

    As word of the forgery traveled from lips hovering above overpriced beer to ears aching from too-loud grind music, wheels began to align themselves towards the pair.

    Mulligan turned, nodded to the DJ, and left to stand on the curb outside.

    Veronika did not break her wiggle.

    Of course Smith’s client, Haymaker Insurance, couldn’t accept an errant erection as proof of a fraudulent claim – but the investigator’s hastily snapped cellphone pictures showing Leo sprinting from the strip club ahead of a mob of angry ex-military men would certainly serve.

     

    Flash Pulp is presented by http://skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    FP347 – Waiting Up

    Welcome to Flash Pulp, episode three hundred and forty-seven.

    Flash PulpTonight we present Waiting Up
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    This week’s episodes are brought to you by Talk Nerdy 2 Me!

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight we present a Halloween tale of household haunting and chronic insomnia.

     

    Waiting Up

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    Dwight’s first warning came while sneaking into his son’s room to deposit a freshly folded pile of underpants into his bright yellow dresser.

    Fluttering eyelids gave the boy away.

    “Are you awake, Boop?” he asked Yoshi.

    “Yeah Dad.”

    Dwight nodded as he laid-out laundry by the glow of a Winnie the Pooh night light. “At least you didn’t try to lay a fake snore on me. Why are you up though?”

    The four-year-old rolled to face the wall before answering, “I never sleep. I just pretend to make you happy.”

    Hiding his chuckle with an honest yawn, Dwight smiled.

    “Well – make me happy by not pretending and actually going to sleep.”

    “I’m waiting for Mum to get home.”

    Long practiced in the art of altering the flow of conversation around any mention of the woman, Dwight simply said goodnight and left.

    * * *

    The next day, well after midnight, Dwight was sternly shutting the door.

    “I’m not playing anymore. Go to sleep,” he told the flat white expanse that doubled as a finger-painted art gallery.

    After their brief discussion, the previous evening, Dwight had curled up for some much needed rest, but his slumber had been interrupted at dawn by a pressing request from his bladder. Finally stirring from a tedious dream, he readied himself for a quick run across the washroom’s cold floor and back, then turned over.

    Any thought of returning to sleep had been wiped out by the sudden discovery that a form was hunkered on his bed, not three inches from his face.

    He’d let fly with a rare “Christ!” but Yoshi had only laughed.

    To the father’s mind the problem was that the tyke had started to consider the situation as a game. Still, shouldn’t sheer exhaustion have done him in at some point?

    He paced the short hallway for twenty minutes, then, when all seemed silent and he could no longer lift his legs to maintain his gait, he headed for bed.

    Lying alone in the darkness, however, Dwight began to wonder if it were actually a case closer to noticing the arrow in the FedEx logo. Could he have missed that Boop was faking? Had he really always been pretending?

    He was still paying down the bill’s for Mamiko’s treatment, he couldn’t afford to have the boy in for a sleep study.

    Damn foolish was what it was. The child just needed to shut his eyes.

    Yet he didn’t.

    * * *

    Friday, at two in the morning, a commercial for car alarms brought Dwight out of an unexpected couch nap.

    ChillerEven as he stood, his knees popping, the sound of Yoshi’s moaning reached his ears from the far end of the bungalow.

    As he stiffly walked the hallway the evidence trail was obvious to read. The closet they’d designated a pantry, just off the kitchen, was ajar, and a trail of stray Fruit Loops led him on.

    Dwight entered just soon enough to watch three months worth of bulk-box cereal decorate the walls.

    Once he could, Yoshi, through tears, said, “I was hungry.”

    It was nearly dawn by the time Dwight cleared the smell of stomach acid and artificial flavours from the room.

    * * *

    Drifting, only half conscious, through work and dinner, Dwight had fallen asleep midway through an explanation to his son that his mother, now dead nearly a year, was not coming home.

    Generally such a sensitive discussion would have had the father’s full attention, but into the second hour of alternating between telling the boy to sleep and explaining why his naive logic was wrong, he’d sat down on the thinning blue carpet and rested his head on his hand.

    Now, at 3am, Yoshi had startled him awake with the tumbling of a pot-and-pan tower.

    Crawling into the boy’s undersized bed, the father wrapped his arms around his son and held him.

    It was not a calm slumber, though, as every movement roused the vigilant parent – and Yoshi could not cease his childish wiggles.

    * * *

    Dwight was so taut with fatigue the next night that he was barely aware something was amiss before his eyes began to sting with tears.

    Staggering to the kitchen he found the latest calamity.

    Yoshi had pulled his trike in from the rain and dirt of the backyard and created a mud track surrounding the kitchen table. The venetian blinds were blowing in the wind of the open sliding door, and water had begun to pool on the simple black carpet Mamiko had chosen for the threshold.

    Worse, the youth had marked the edges of his course by burying the contents of the family knife block, tip first, into the linoleum floor.

    “Don’t worry, Dad,” Yoshi said, kneeling beside his weeping father, “Mom will be home soon. I’m waiting up.”

    The unending emergency was too much. Dwight’s exhaustion had been snowballing, in truth, from the moment of Mamiko’s diagnosis.

    Would he ever sleep? Would they ever sleep? Was she the only one sleeping?

    An odd thought came to him: She must be so rested – yes, so rested.

    It became clear then: All he had to do was wait for her arrival. Things would be better when she got home.

    The thought lifted the weight from his shoulders and cleansed the ache from his mind.

    Yes, he too would wait up for her.

    Gaining his feet, he asked Yoshi to move his Big wheel outside and headed for a mop.

    There was a lot to do before she came home.

     

    Flash Pulp is presented by http://skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    FP346 – The Split

    Welcome to Flash Pulp, episode three hundred and forty-six.

    Flash PulpTonight we present The Split
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    This week’s episodes are brought to you by Nutty Bites!

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight we present a tale of terrible intentions and unexpected ends.

     

    The Split

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    James Matheson was a brilliant man, but that did not make him a nice one

    Still, he’d held enough regret – enough self pity – to attempt to correct his error.

    He was parked half a block from a house that was a duplicate of his own, watching a man that looked exactly like himself embracing a woman that looked exactly like Ann, his wife – but this alternate reality was not quite like his own: The kiss proved it.

    Here Ann hadn’t learned of his mistake.

    In his existence it had been some time since James had received such a tender goodbye.

    The second James smiled, then turned to fumble with unlocking his BMW.

    A Skinner Co. ProductionThe onlooker knew he was already fifteen minutes late to the lab, and, by the way Ann curled herself inside her fluffy white house coat, he could guess why. He also knew, however, that the scientist’s first stop upon arriving at work would be the third floor supply closet in which Sarah’s eager grin and nimble hips awaited.

    According to his own timeline, James had ended the relationship months ago. Poorly, perhaps, but he’d ended it. Somehow this world’s continued affair made what he felt he had to do next easier.

    Ten minutes later, along the unpaved backway that they’d been using as a shortcut for years, he accelerated suddenly.

    The gravel was rough, and the shoulder grassy, but the impact wasn’t enough to throw either vehicle into the ditch.

    It did, though, bring the BMW to a halt.
    .
    James had known it would – it was what he would have done.

    He pulled up twenty feet behind the beamer and killed the engine.

    Even as he watched his red-faced doppelganger exit his superficially damaged car, the would-be killer wrapped and re-wrapped his fingers around the tire iron in his lap.

    In an effort to pass the time as his victim walked distance to his window, he reviewed the plan: Cover over the already-dug shallow grave, drop off the rental, call Ann for a ride and explain that some maniac had ridden him off the road.

    He’d have to give himself a black eye to sell the story, but it would also at least provide an excuse to call in sick and spend the day with Ann. He was confident he could talk her back into nothing but the white bathrobe.

    He was just considering standing, as other-James was but five feet away, when his wife stepped from the brush-filled treeline across the lane.

    “You’re as bad at murdering people as you are at being a husband,” she shouted.

    It was the fury in her eyes that told James that she was not this world’s Ann.

    How had she followed him? How could she gain access to the device?

    Damn it: Sarah.

    Stepping from the car, he answered, “I should have finished choking you to death when I had my fingers around your throat.”

    Then, to himself, he noted that digging an additional grave wouldn’t be all that much more work. That’s when a third James crawled from the ditch and sprinted for the rental.

    This him had not shaved in weeks, and appeared to have gone an equal time unshowered.

    “Get in and drive, idiot!” the newcomer screamed as he threw himself into the passenger seat. “We need to get to the lab! NOW!”

    It was too late.

    A dozen Anns stepped from the undergrowth: One wore a black bandana over her scarred left eye, one carried an assault rifle on her shoulder, one wore something like a prom dress that exposed two well-muscled arms covered in colourful tropical tattoos.

    Whatever their appearance, all held hate in their gaze.

    Four black minivans roared into view from either direction, blocking any escape. Their sliding doors peeled open to disgorge further variants of his former wife, each baring their teeth in his direction.

    “Look at you – you’re such an egomaniac you’re willing to murder yourself!

    “We hate you so very much, James Matheson. You all think that the affair is the problem – but it’s just the final result. There are many parts to this equation, doctor, and your wandering penis is simply the last variable in a long list of disgusting opinions and narcissistic behaviours.

    “We’ve hunted hundreds of you, on hundreds of worlds, and we will not rest until the quantum froth that is everything ever is free of your stain.

    “You may be brilliant in physics, but you’re an absolute moron in self-awareness and social skills.”

    A pump action shotgun ratcheted, but there were too many Anns to identify which was carrying the weapon.

    As one, they stepped forward.

    Before they could again carry out their retaliation, however, the ground began to buck and sway.

    Though they had traveled space and time to avenge themselves against a man who was perhaps both evil AND a genius, their path of retribution had carried them into the shadow of Kar’Wick, the Spider God.

    Within moments their quest was ended beneath the arachnid lord’s all-encompassing carapace.

     

    Flash Pulp is presented by http://skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    FPSE19 – The Girl in the Mattress

    Welcome to Flash Pulp, Special Episode 19.

    Flash PulpTonight we present The Girl in the Mattress
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    (RSS / iTunes)

     

    This week’s episodes are brought to you by Skinner Co.!

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight, as the spirit of Halloween possesses Skinner Co. in questionable and un-requested ways, we hear a supposed urban legend – a short tale of the restless dead.

     

    The Girl in the Mattress

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    A Skinner Co. Production

     

    Flash Pulp is presented by http://skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    FP345 – Blow: A Bunny Davis Tale

    Welcome to Flash Pulp, episode three hundred and forty-five.

    Flash PulpTonight we present Blow: A Bunny Davis Tale, Part 1 of 1
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    (RSS / iTunes)

     

    This week’s episodes are brought to you by Nutty Bites!

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight we encounter Bunny Davis with monkeys on her back, and her shaman friend nowhere in sight.

     

    Blow: A Bunny Davis Tale

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    It was painfully early and Bunny was painfully sober.

    Her walk had carried her past two separate Wal-Mart outlets, both of which she’d swore at loudly; a six car rush-hour fender bender, the drivers of which she’d shouted down; and Capital City’s own mayor doing a live feed business opening for the local cable station’s morning show.

    In that instance, she’d been so annoyed at having to maneuver around the crowd that, as his comically-large scissors descended on the red ribbon strung over the KFC’s doors, she’d vigorously told the posturing idiot what a shitty job he was doing.

    The initial moment of the first distraction had been almost welcome though.

    Two blocks beyond the opening she’d been brought to a halt at a throaty, “hello.”

    The stranger was perhaps five years her elder, but the hints of gray in his hair worked to make his handlebar moustache nearly respectable. His blazer was worn enough to come across as vintage, but the Zeppelin t-shirt he wore beneath was clean enough to keep him from looking like a vagrant.

    Tucking the little wooden box deeper into the crook of her right armpit, she paused and replied, “yeah?”

    It was his smile that fucked it up.

    Years earlier she’d driven a cab, for a few weeks, to make rent. The hours she was given left her mostly in the downtown area, ferrying suits between office skyscrapers. They all had the same ritual as they stepped onto the pavement – a sort of tug-and-tighten they would give their ties and jackets as they exited. Watching them she could tell that most didn’t even realize they were doing it. Practice had made it habit.

    She’d quit the job because she couldn’t stand the paperwork junkies’ shitty tipping, and the assholes who ran the stand wouldn’t let a woman work nights.

    Now, watching Handlebar pull on his lazy, aren’t-you-special grin, she could see the routine in it as clearly as any one of the execs’ last second preening.

    A Skinner Co. Production“Oh,” he answered, “you know – it’s a nice morning. The kind that makes me wanna say hello to pretty ladies passing through the neighbourhood.”

    It pissed her off more, somehow, that she knew she looked like shit that morning. Despite days of exhaustion, she’d slept no more than two hours before the maddening stability of sobriety had driven her from her bed. An additional sixty minutes of rattling around the apartment without managing to wake Will had pushed her into her sneakers and through the door.

    Still, as Tim had told her every time he’d quit and restarted drinking, “a fisher’s gonna fish.”

    “Huh,” she said, as her feet regained momentum. “Have a good’un.”

    Before she could carry herself beyond conversational range, however, he asked, “aw, c’mon sweetie, you ain’t got five minutes to talk?”

    “Nope.”

    “Hey, no need to be bitchy.”

    Her mother would have told the jackass to “blow.” She could almost see the way the woman’s curled mouth dropped the word like a stone – but the response was out of bounds for Bunny. The comeback was all too predictable from these sorts of idiots. No, for today’s hovering sidewalk vulture you had to reach deep.

    With the sun shining in her all-too-clear eyes, Bunny had no problem finding the anger to dig.

    She stopped and opened the case.

    “#####y?” she asked. ”Up until now this was the politest ####ing conversation I’d had so far today. I told the guy in the Honda, who called me a ####bag when I suggested he not yell at his ####ing twelve-year-old, that he’d spend the last seconds of his life giving himself a rim job after I peeled off his ####ing head and worked his tongue like Jim ####ing Henson.

    “I don’t ####ing know you, and this ain’t a ####ing online dating site.

    “Your bull#### flirtation is just an annoyance, though, until you start pullin’ the excuses – and that’s exactly what bitch is, right? Because it’s gotta be me being pissy and not the fact that your douchebaggery is apparent even to passing ####ing strangers.”

    She imparted a final a consideration into the belly of his inappropriate-for-the-season t-shirt, then left.

    Soon he was watching the city burn to the ground around him.

    The next interruption flew down from the stoop of a brick apartment building that looked to have been built during the ‘70s, but recently re-polished and rented at a price only trust funders and overworked yuppies could afford.

    “Hey, smile,” said the slow voiced polo shirt. He was sorting his mail as he spoke.

    “What?” she asked.

    “You’d look even prettier if you’d smile,” he replied.

    “Well, while we’re trading beauty tips,” she replied, “you’d look a lot less like a puckered ###hole with your mouth shut.”

    “Hey, I was trying to be helpful.”

    “Yeah? Is this one of those shows where you ambush me then go through my wardrobe next and tell me what ####’s not in style? Because I generally don’t take advice from random ####adoos wearing tiny alligators on their shirts.

    “Now, if this #### isn’t about to get televised, I’d suggest you show some ####ing respect. If unknown people – generally on your worst sort of days – came up to you randomly and commanded you to lose that ####ing golf gut, you’d get pretty pissed. You’ve got a wedding ring on, and I’m not a ####ing public service sent to your ####hole neighbourhood to beautify the place, so keep your tips for ####ing Cosmo.”

    He shrugged and muttered, “bitch.”

    “Oh, #### it,” she replied, again opening the case.

    Bunny waited long enough to realize the wannabe fashion consultant was being attacked by a pack of feral homeless men, then she proceeded towards home.

    The walk’s third, and last, interloper made no effort to disguise his intentions.

    “Hey,” he said from the entrance way of a two-pizzas-for-the-price-of-one dive called The Deepest Slice, “you look pretty tired, wanna come have a sit on my face?”

    Having spent most of her fury across the entirety of the morning, she answered in an equally direct fashion.

    “You kiss your sister with that mouth?” she asked. “‘Cause if you don’t start talking to me only in the way you’d talk to your sister or mom, I swear to #### I will reach down your throat with two hands and sell your organs to the pie-man for pepperoni meat.”

    “Jesus,” replied the commentator in the Oakland Raiders jacket, “lighten up. I was joking.”

    “####ing hilarious. Now it’s my turn.”

    She’d discovered the blowgun’s wooden box, and the handwritten note within, while pulling volumes from the apartment’s hallway bookshelf. At some point it must have been set on top of a row of hardcovers, but, at some point, it had fallen behind the tomes and hidden.

    The missive was direct but informative:

    A curiosity imported from the Pacific. There appears to be no occult connection, but the poison on each missile brings on violent hallucinations for hours after impact. No long term effects recorded, though the drunk next door is now unwilling to talk to me.

    In all honesty, if I never hear from the man again the full dollar I used to coax him into the experiment will be worth every cent.

    Though the device is fit but to repel home intruders, or to liven particularly dull luncheons, use it wisely.

    Blackhall          

    Bunny had just been guessing at the cat-caller’s family make-up, but the man’s cheeks were soon slick with tears, and his throat ragged from begging his older sister, Lorelei, to not make him wear the tea party shoes.

    “My toes, my toes are bleeding LoreLore – why are you making them bleed?” he was asking the air, from a fetal position on the pavement, when she finally strolled away.

    Twenty minutes later, as Bunny dug for the passkey that would let her into her building’s lobby, she couldn’t help but feel like she’d certainly used the device with maximum wisdom.

     

    Flash Pulp is presented by http://skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    FCM011 – The October 31

    A Skinner Co. Production
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    Hello, and welcome to FlashCast Minisode 011

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    [youtube_sc url=http://www.youtube.com/watch?v=PXlcm1el1D0]
    [youtube_sc url=http://www.youtube.com/watch?v=YuJC8Bj-5u0]
    [youtube_sc url=http://www.youtube.com/watch?v=M4WBNVwjW_4]
    [youtube_sc url=http://www.youtube.com/watch?v=QOrcIyvW5Rk]
    [youtube_sc url=http://www.youtube.com/watch?v=0xZsoMSEsaA]
    [youtube_sc url=http://www.youtube.com/watch?v=k10ETZ41q5o]
    [youtube_sc url=http://www.youtube.com/watch?v=4qI7wuFnQ08]

    * * *

    Also, many thanks, as always, Retro Jim, of RelicRadio.com for hosting FlashPulp.com and the wiki!

    * * *

    If you have comments, questions or suggestions, you can find us at https://flashpulp.com, or email us text/mp3s to comments@flashpulp.com.

    FlashCast is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.