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Welcome To Monday

Somewhere in Toronto

Hello!

To allow folks an extra day for their iTunes feed to digest Layers, we’re putting off last night’s FlashCast till tonight, and tonight’s Flash Pulp till tomorrow.

This will put us back to business as usual come Wednesday, which will please me deeply.

It also provides a last minute opportunity for anyone interested in submitting something for FlashCast – call us at (206) 338-2792, or email us text or mp3s to skinner@skinner.fm.

Finally, might I recommend this brief, but rather epic, bit of recorded history?

[youtube_sc url=”http://www.youtube.com/watch?v=1jHcBTUMqKU”]

Sunday Summary: Limitless Aquaman

"Thanks for the new tagline, Larry, but I don't think it's helping."
"Thanks for the new tagline, Larry, but I don't think it's helping."

http://twitter.com/#!/JRDSkinner/status/53891127971020800

http://twitter.com/#!/JRDSkinner/status/52845396640276481

http://twitter.com/#!/JRDSkinner/status/52735221715570690

Renovations

http://twitter.com/#!/JRDSkinner/status/54254774245269506

http://twitter.com/#!/JRDSkinner/status/53113128153661440

http://twitter.com/#!/JRDSkinner/status/52384431104724992

Paranoia, or a call for long distance rap-battle?
Paranoia, or a call for long distance rap-battle?

FP148 – Layers: a Collective Detective Chronicle, Part 3 of 3

Welcome to Flash Pulp, episode one hundred and forty-eight.

Flash Pulp

Tonight we present, Layers: a Collective Detective Chronicle, Part 3 of 3
(Part 1Part 2Part 3)
[audio:http://traffic.libsyn.com/skinner/FlashPulp148.mp3]Download MP3
(RSS / iTunes)

 


This week’s episodes are brought to you by the Flash Pulp Facebook page.

It’s the only defense against the mind-worms, we assure you.

To join, click here!

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight, the Collective Detective learns of the truth behind the disappearance of Morris Cox, as revealed in a Floridian hotel room.

 

Flash Pulp 148 – Layers: a Collective Detective Chronicle, Part 3 of 3

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

Mel Chapelle, fifty-two, was sitting on his still-made hotel bed, eating a Mars bar. The television, on mute, threw the glow of local weather information into the room, but the flashing graphics went largely ignored as the lawyer thumbed at his phone to review the emails he’d had to leave unread during his recently concluded appointment.

The sit down, a meet and greet with local law enforcement regarding a grave the Collective had managed to track to a bit of rural swampland, had run long. Chapelle, who’d flown in from Washington for the conversation, was not a fan of the area’s humidity, or its tendency towards small talk, but he’d smiled, and rubbed at his neck with a Wendy’s napkin, while the Sheriff had chewed over the details of the case.

In the end, Mel had been forced to excuse himself, at the risk of missing his conference call. He’d originally hoped to locate a burger before the appointed time, but the trilling of his calendar program’s fifteen-minute-reminder had sent him scrambling for his hotel’s vending machine, and the quiet of his room. The temporary quiet, at least – wondering aloud how it was still so hot, mid-autumn, he’d had to crank the air conditioner as soon as he’d entered the fetid wall of moisture that seemed to hang in the rented space.

He was pecking out a response to the final item in question when his cell began to chime the opening theme to the old television show, The Six Million Dollar Man.

Rolling off the bed, he flicked the switch to disengage the AC’s rattling fan.

Setting himself back down, he hit answer.

“Hello.”

“Hi, Mel, it’s Tony. We’ve got you on the speaker phone – I’m here with Wes Willis, he’s the file’s Special Agent In Charge, and we’ve also got Carlos Reyes, who’s the missing boy’s local Sheriff. As usual, you should be aware that we’re being recorded.”

“Nice to hear from you, Tony,” Chappelle replied. It truly was, as the man was regularly a voice of reason amongst the bruised egos that the legal arm of the Collective Detective often came up against. “I assume, as I’m here solo, that this is largely a courtesy call?”

Willis muttered something away from the phone’s mic, that Mel was just as happy not to hear. The first time there had been trouble between the Collective and the government, there’d been no courtesy at all – just a knock at the door and a warrant. Then they’d carted away much of the server backbone that hosted the network’s online tools. The two year media-beating the overzealous raid had precipitated, as well as the eventual court ruling that provided the organization a lawful charter, had encouraged a more diplomatic approach. Chappelle, a former law professor, had changed his occupation, and his life, in deciding to assist in the defense of the case.

“Ha,” replied Tony, “Yeah, I think things are about wrapped up here, and we don’t need to drag in the dirty half-dozen, we just wanted to touch base.”

As the liaison spoke, the sweating former-teacher used one shoe to lever off the other, then nudged both to the floor.

“We certainly appreciate it,” he said, wondering what kind of madman would build a hotel in Florida that didn’t have windows that opened.

“I feel I should be clear at this time,” Willis’ voice rasped through the speaker, “that I am conducting this call under Anthony’s advisement. I must make plain, in case of any legal action resulting from this conversation, that I do not agree with providing details of ongoing investigations to civilians.”

The fatigue from his trip nearly caused Mel to point out the investigation was only ongoing due to the details provided by volunteer civilians.

Instead, he said, “Understood.”

It wasn’t the first time he’d dealt with Willis, nor even the first time he’d heard the disclaimer, but, in situations where the authorities weren’t demanding further documentation, or proof that the civilian researchers had done nothing untoward, Mel found it best to let the feds do the majority of the talking.

Carlos cleared his throat.

“Yeah, well, I don’t mind talking ‘bout it. Frankly, I’ve already done a few hours with the press on the subject, so I may as well tell you now, rather then send you off to have the facts misrepresented on CNN.com. I’ve never heard-a you folks till today, but I’ve got to say, I’ve also never had an arrest handed to me so neatly.”

Mel smiled, happy to have the unknown variable in the call swing in his favour. He tucked the big toe of his left foot into the cuff of his right sock and stripped the white cotton from his ankle, then repeated the process in reverse.

Reyes continued.

“Wasn’t tough to find Bailey Foster, your Google map was pretty spot on. I mean, we double checked, but – anyhow, I was the first through the door. There wasn’t much to it. Married guy, although him and his wife were the cold and quiet types. Don’t think she knew about it, actually. She struck me more as the kind not to get close enough to care. We let him watch us drag out his laptop, and a LOT of DVD binders, then we gave him a lift down to the room and started asking some very vague questions.

“Well, really we told him what you’d told us. Mentioned Morris Cox’s name, even flashed a couple of the more tasteful photos. He bought it all. Even told us where the body is buried. We’re gonna conduct a search at first-light, but I believe the confession.”

“Well done.” replied Mel. It was rare to achieve such a quick resolution, but, occasionally the results were sudden. “Did he give any further explanation? Any reason why?”

“Yeah. Love. The boy was growing up gay at a tough time and place. To hear Bailey tell it, his best-friend was a huge hater, put a real fear into the lad. At fourteen Morris fell for an older guy – thirty years older. It wasn’t a relationship, though, it was careful exploitation. When Cox turned eighteen and was still hounding the old perv to hold his hand – well, I guess Foster thought he’d outlived his allure, and didn’t dare risk the consequences of turning the boy loose.”

The rest of the call was made up of formalities and long winded quasi-threats by Willis that any interference with legal proceedings would bring a sudden bolt of justice from on-high. Mel simply bit his lip and murmured agreement, eager to reach for the thermostat.

When they’d finally parted ways, he swung his legs once again over the edge of the bed, and, his knees popping, stood. He turned the environmental controls to a level he hoped would be sub-arctic, then took a short stroll around the room, stretching.

It was tempting to return to the stack of printouts which required review before his morning meeting, but, once he’d worked the knots from his lower back, he instead tugged back the rigid wooden chair that had been provided for the room’s desk, and opened his MacBook.

Pulling up the Collective Detective website, he logged in as LegalEagle, and began filling in the final unknowns regarding the life, and death, of Morris Cox.

After an hour’s worth of typing and editing, he found there was nothing more to add.

Selecting the proper drop-down, he set the case’s status to “closed.”

He clicked save.

 

Flash Pulp is presented by http://skinner.fm, and is released under the Canadian Creative Commons Attribution-Noncommercial 2.5 License.

Text and audio commentaries can be sent to skinner@skinner.fm, or the voicemail line at (206) 338-2792 – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

Late Warning System

Huh?Just a reminder to keep an eye out for tonight’s episode – Layers, Part 3 – as well as a prod for any comments, questions, suggestions, enumerations, castigations, or speculations, which you might like considered on tomorrow’s FlashCast.

Call our voicemail line at (206) 338-2792, or email us text or mp3s to skinner@skinner.fm. If you have a project you’d like plugged, or an item that’s unrelated to FP, but still under the pulp-umbrella, please feel free to mention it.

FP147 – Layers: a Collective Detective Chronicle, Part 2 of 3

Welcome to Flash Pulp, episode one hundred and forty-seven.

Flash Pulp

Tonight we present, Layers: a Collective Detective Chronicle, Part 2 of 3
(Part 1Part 2Part 3)
[audio:http://traffic.libsyn.com/skinner/FlashPulp147.mp3]Download MP3
(RSS / iTunes)

 


This week’s episodes are brought to you by the Flash Pulp Facebook page.

If home is where the heart is, then please consider the Flash Pulp page as your basement den.

To join, click here!

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight we return to the case of Morris Cox, a missing teen whose tale is being uncovered by the dedicated work of the men and women of the Collective Detective.

 

Flash Pulp 147 – Layers: a Collective Detective Chronicle, Part 2 of 3

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

Mike Donnell, thirty-five, woke suddenly from a brief nap, finding himself in the same chair he always occupied at 9:30, every Monday. Reaching for the brightly painted pencil-holder that his son, Theo, had given him when the boy was still only five, the tired office worker retrieved the dental mirror he kept on hand for just such situations. With steady fingers, he raised the device like a periscope, hoping to spot any lurkers who might have noticed his indiscretion. There were none.

Realizing he’d been holding his breath, he replaced the device amongst his collection of Bic pens, and punched his shift key to disengage the never-ending series of pipes that made up his screen-saver.

He hit refresh on his outlook.

He wiped some fluff off of his mouse’s laser.

He looked at the stack of medical documents he was supposed to be in the process of transcribing.

He decided it was a good time to get a fresh mug’s worth of coffee.

Before he stood, though, practiced habit brought him to open a new browser and direct it towards his true passion, the Collective Detective site. Logging in as GNDN, he was surprised to see a large red one – indicating a single major revision to be reviewed – awaiting him at the top of the page. Checking the date, he noted it was nearly two days old, and counted it as a personal travesty. He’d intended on checking in the day before, but Sunday dinner at the in-laws had run long and political, and he’d arrived home incapable of any greater brain-work than what might be necessary to stare at the Star Trek channel.

From the cubicle next to his own came an exclamation.

“Stinking clowns with their jumping monkeys!”

Vanessa, the woman who worked in the space which adjoined his own, was prone to loud, but never obscene, outbreaks. Donnell, now recalling what had awoken him from his snooze, thought he would mind less if she was better at her job.

He opted to get his coffee before digging into the new update.

It was tempting to moonwalk his way back to his cubicle, but he restrained himself. As an editor for the Collective, his greatest motivation lay in the surprises that lurked behind every new nuance that made up an article change. Most were minor; lists of known accounts, inconsequential biographical additions regarding the missing or murdered’s personal life, or details on associates. While all required at least a cursory editorial glance to ensure they were properly sourced and utilized the standardized format, encountering a modification deemed important enough to require confirmation as a major revision was rare. Despite the site’s constant reminders that inquiries should be treated with gravitas, such events usually made Mike feel like a kid on Christmas, about to unwrap a massive package from under the tree.

Settling into his creaking swivel chair, his joy was temporarily marred by another outcry from his office-neighbour.

“Sweet chili fries in a bucket of gravy!”

Squinting briefly, GNDN began reading the submission. The situation revolved around a lad by the name of Morris Cox, who’d gone missing and was presumed dead – all old information to the editor, who’d been keeping tabs on the case as one of the many he volunteered to oversee. A contributor, a fellow by the name of KillerKrok, had recently gotten serious with the investigation, opening several new secondary-articles, and doing much of the heavy lifting necessary in sorting through the years of wiretapped Internet traffic that the government had accidentally leaked to the public.

Skimming the details involving a best friend who’d eventually fallen away, and a love interest named Bailey, Donnell finally came to the highlighted information which he yearned for: Krok had discovered the password to an encrypted stream that Cox had used from a young age, until the month previous to his disappearance, but, for some reason, there were no further notes regarding the uncovered content. However, with the keyword, the name of Morris’ sweetheart, in mind, Mike collected up the required tools and began the decoding.

He’d managed to clear his desk of three of the medical forms before the decryption began to show results.

GNDN had spent the majority of his existence poking around the Internet, and was well acquainted with its tendencies. As such, his lifetime’s worth of assumptions found the first items to appear both familiar, and disappointing.

Donnell had seen similar images often; self-shot photos, taken using a bathroom mirror or with a single extended arm holding a cellphone camera, but, in this instance, all featured the missing in various states of undress. As the process worked itself backwards through the chronology of the portraits, Morris’ seemed to shrink in age, soon appearing not much older than Mike’s own son.

Attempting to shield his screen from the prying eyes of passers-by, he canceled the remainder of the conversion, and deleted the output. For legal reasons, it was rare to come across nudity within the context of the archives that made up the Collective’s backbone. Rather than be sued by any civilian who might find their name, and naughtiness, attached to a case, an algorithm usually stripped any excessively fleshy pictures from the publicly accessible portions of the site, making them only available upon special request, and after consideration by the council that made up the head of the distributed investigation effort.

Now that the hidden data had been uncovered, Mike knew he would have to elevate the offending portions so they might be properly contained. He re-opened the article for editing, and began to enter his conjecture.

“Pornographic content. Likely just the results of a teenage love-affair between Morris and Bailey.”

Even as he typed it, the feeling of something out of place tickled at the base of his skull. Before hitting send, he opened a second window and began to jump through Cox’s known information. The lack of detail regarding the boy’s paramour bothered him.

“Who are you?” Donnell muttered to himself, staring at the blank space in Bailey’s profile where a picture ought to be.

As he chewed away the excess nail on his right thumb, he had a moment of inspiration.

Restoring the content’s of his computer’s recycle bin, he squared his shoulders to block the view to his monitor, and began to rapidly flip through the bawdy images.

He bit the interior of his cheek as he realized his idea was confirmed. Although the boy had been free about uploading his snapshots, there were no returned favours from the elusive Bailey – an oddity for any hormonal teenage boy.

Fully abandoning the stack of paperwork which constituted his paid employment, GNDN cracked his fingers and began a furious trail of typing. The encrypted stream had been spoofed through a proxy, originally making it impossible to know where it had gone, but now that the secret had been broken, Mike was quick to follow up on the newly revealed IP address.

It was a long afternoon of tracking hunches and requesting data from the archive’s search engine, but, as closing time neared, and the cleaning staff began to move in to, as they quietly put it, swab out the monkey cages, Donnell found his answer.

The mysterious Bailey was no love-stricken teenage girl at the time of Cox’s disappearance – in fact, as GNDN stared at the gray-haired profile picture the man had posted on his infrequently trafficked blog, Mike guessed that the voyeur on the far-side of the illicit connection had been old enough to be Morris’ father.

“Big red monkey butts!” Vanessa shouted.

He could only agree.

 

Flash Pulp is presented by http://skinner.fm, and is released under the Canadian Creative Commons Attribution-Noncommercial 2.5 License.

Text and audio commentaries can be sent to skinner@skinner.fm, or the voicemail line at (206) 338-2792 – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

The Psychological Warfare Of The Worlds

War of the Worlds tripodTonight, once the episode is posted, we’re heading out to view a re-creation of the classic Orson Welles radio production of The War Of The Worlds, and I’m quite excited. I also find it interesting that, due to the panic caused by the original, conspiracy theories still abound regarding the broadcast.

In the 1999 documentary, Masters of the Universe: The Secret Birth of the Federal Reserve, writer Daniel Hopsicker claims the Rockefeller Foundation funded the broadcast, studied the panic, and compiled a report available to a few. – wikipedia

While I’d never heard that particular angle, I do recall reading this second theory in my youth.

There has been continued speculation the panic generated by War of the Worlds inspired officials to cover up unidentified flying object evidence, avoiding a similar panic. U.S. Air Force Captain Edward J. Ruppelt, the first head of UFO investigatory Project Blue Book wrote, “The [U.S. government’s] UFO files are full of references to the near mass panic of October 30, 1938, when Orson Welles presented his now famous The War of the Worlds broadcast.” – wikipedia

Of course the Government’s “UFO” files are full of references to the broadcast: this would be something like an investigation of 1950s family structure turning up mentions of Beaver Cleaver – it doesn’t make Martians, or the Beav, any more real.

Unfortunately, not every legacy of the episode was a positive one.

In February 1949, Leonardo Paez and Eduardo Alcaraz produced a Spanish-language version of Welles’s 1938 script for Radio Quito in Quito, Ecuador. The broadcast set off panic in the city. Police and fire brigades rushed out of town to engage the supposed alien invasion force. After it was revealed that the broadcast was fiction, the panic transformed into a riot and hundreds attacked Radio Quito and El Comercio, the local newspaper. In the days preceding the broadcast, El Comercio had participated in the hoax by publishing false reports of unidentified objects in the skies above Ecuador. The riot resulted in six (or more) deaths, including those of Paez’s girlfriend and nephew. Paez moved to Venezuela after the incident. – wikipedia

My Brain, Exploding In Slow Motion

StudioSo, I came home to discover the above. Apparently the fellows doing work in our basement have opted to use our little studio as a storage compartment. I’ve been assured the situation will be corrected by tomorrow.

This means I’m likely going to need to just relax and accept that the schedule this week is going to be Tuesday/Thursday/Saturday. I apologize, and will berate everyone involved – and probably a few who aren’t.