Naughty Lizzie Borden

I realize that fetishizing murderers is a long standing tradition in some circles, but this Lizzie Borden figurine, which I came across while looking for a picture of the axe-murderess, really bugs me:
Lizzie Borden Figurine
From the wikipedia article:

The two daughters, well past marriage age, gladly entered the modern world whenever they visited friends. Emma and Lizzie had no marketable skills, and their father did not seem concerned about their future.

Borden was a woman on the verge of spinster-hood who lived with her parents, she wasn’t some sort of naughtily corseted sex-kitten.

An actual picture of Lizzie:

Lizzie in 1893

“Hey baby, the fact that I’m missing my teeth just means that there’s more room for your tongue.” (- link)

Flash Pulp 077 – Mulligan Smith and A Matter Of A Gun, Part 1 of 1

Welcome to Flash Pulp, Episode Seventy-Seven.

Flash PulpTonight, we present Mulligan Smith and A Matter Of A Gun, Part 1 of 1

[audio:http://traffic.libsyn.com/skinner/FlashPulp077.mp3]

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This week’s episodes are brought to you by the Flash Pulp page on Facebook.

Where is the love? It’s at The Flash Pulp page on Facebook.

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Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight, Mulligan Smith becomes entwined in a private matter playing out in a public space, with his own life in the balance.

Flash Pulp 077 – Mulligan Smith and A Matter Of A Gun, Part 1 of 1

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

“Bloooargh,” The slender faced kid screamed.

While the roar of the mall continued on around the corner, the 2nd level food court fell silent.

Everyone’s eyes were on the gray metal of the revolver – including Mulligan’s.

The PI’s burger hovered at the cusp of his lower lip, a single half moon bite having been sliced from its side. The crescent cross-section of bun, patty, tomato, lettuce and secret sauce rolled from his tongue.

He’d been eying a group of tween ruffians who’d loudly conquered a square of four tables along the food court’s furthest edge when the weapon had made its arrival. The kids had made quite a display of their fortitude by pounding each other repeatedly, their unchecked shouting spreading over the surrounding area like shock waves – but even these half dozen boys had been hushed by the appearance.

Mulligan watched the gun swing over the crowd – the single mother trying to wrangle her two toddlers into silence; the double table of aging men, (likely retirees who’d come to retell their tales while running down the hours; the thirty-something couple, child in tow, who’d immediately slid to the floor at the first sign of trouble; the nun.

Mulligan sighed.

“Seriously? A nun?” he asked wordlessly.

His eyes were locked on the barrel’s black opening. From that hole his mind projected a cone, like a spotlight, which he could feel as if a solid thing moving over the crowd. He felt the cone swing wide, the tension fading as the weapon faced down the Subway and Chinese buffet, only to return once again as it re-approached. As the fatal arc rolled over him, his heart began to pound and his palms were suddenly moist – then it would pass, as if a lighthouse beacon sliding on in the night, and the tension would once again begin to slip away.

He took a sip of soda to wash down the burger he hadn’t eaten.

He stood.

Still holding the cardboard cup, he took a step towards what his father always referred to as “the business end”.

One of the thirty-somethings shout-whispered from beneath her table.

“Hey! HEY! That’s not a good idea! Don’t make him mad!”

Mulligan mentally noted that he wasn’t terribly enthused with the idea himself, but there was little opportunity to debate the woman given the circumstances.

He made a tut-tut motion with his hand, as if a parent gently assuring a child they should mind their own business.

Despite the protestations of his suddenly heavy and seemingly bloodless legs, he took another step forward, and then another. The deadly opening of the weapon settled on his direction, and yet still he forced his traitorous feet onward.

He covered his approach with conversation.

“Look, I’m sure you’ve got your reasons for, uh, this, but you’ve got to understand that we’re in a public place – whatever your personal gripe, most of these folks are just here because they’re tired from patrolling the clothing stores.”

The revolver, and its bearer, remained silent.

The PI’s feet plodded on at a steady, if lethargic, pace. He kept his shoulders slumped, his gait loose, and the cup moving steadily to re-dampen his perpetually drying mouth – behaviour even the most agitated of great apes would find disarming.

The nun had begun praying, not quite quietly. Her intonations brought a finality to the proceedings that Smith found disturbing.

“Excuse me, Sister, but could you keep it to your interior? The Lord’ll be just as happy to read your mind as your lips,” he knew he ran the risk of offending, but he also knew control of the environment was paramount.

One of the tweens laughed, not a real chuckle but instead a sudden explosion of giggle carried out by nerves.

The weapon swung from the approaching PI to the kid in the black and white t-shirt with a huge stylized eagle print.

The boy went through a smooth transition from un-bidden laughter to bitter weeping. His head pulled back on his neck, which in turn pulled at the torso pressing hard against the beige painted metal of his chair – as if the extra six inches of distance would be of help; or as if the weapon carried a terrible heat he wished to be away from.

Mulligan deeply understood the need to be as far away as possible from the barrel’s shadowed opening.

“He didn’t mean to laugh, a lot of people just react that way when they’re too tense. I think it’s related to the fact that human laughter is connected to animals barking in the wild. I read somewhere that laughter is basically just the human version of a bark – that’s why we do it at things that we find weird, or true but disturbing. It’s a defensive thing.”

The pistol turned back onto Smith – he was glad it was away from the boy, but he certainly found no humour in it.

“Maybe I can help you? You need to explain why you’re doing this. Even if you don’t plan on coming out of this alive, you need to tell someone so they can pass on what happened? Right?”

For the first time, under the distant din, Mulligan noted that the mall was actually piping in music. An instrumental version of Wind Beneath My Wings played him through the last ten feet of open ground. As he approached he continuously lowered his tone so that, as he finally reached his goal, his volume was conversational and semi-private.

“Is it them? Is it those guys over there?” Smith motioned towards the cowering pre-teens. “Did they make fun of you?”

He couldn’t guess at what condition the slender-faced boy suffered, but there was a slackness about his eyes, and a confusion in his look, that told him the child’s faculties weren’t fully functional.

“C’mon, you can tell me, I’m here to help.” The child seemed to harden at the suggestion. “- and, uh, here to remember? Right? To tell everyone what happened after its done.”

The weapon was hard against his belly; he’d walked himself directly into the danger.

The boy looked up at him, the corners of his eyes picking up a moist shine under the food court’s skylight.

“I go to school with them, and every day while I’m waiting for Mom to come home, I’m in here, and they make fun of me.”

The PI nodded, fighting to keep his eyes on the boy’s own, and not on the weapon.

“So, I’m, I’m –“ the boy’s voice cracked, and for a moment the revolver waivered, the invisible cone aimed at the skylight.

Mulligan punched him in the face.

He hated to do it, but a fat lip was a lucky conclusion when involved in a matter of a gun.

Flash Pulp is presented by http://skinner.fm. The audio and text formats of Flash Pulp are released under the Canadian Creative Commons Attribution-Noncommercial 2.5 License.

More Spaceballs 2

Loose Cannons Poster

I posted last week about the Italian “sequel” to Spaceballs, Balle Spaziali 2 – La vendetta. In the comments, friend of the site bmj2k, of Mr Blog’s Tepid Ride, suggested I ask a mutual acquaintance (Mac, a musician and occasional alien) from the Relic Radio OTR forums, who happens to be Italian, if he had any insight into the hows and whys of Italy’s fake sequels.
Here’s what he had to say:

OK, let’s see if I can explain the horrible mess Italian distributors make (or used to make, as now there’s more information regarding films even before they are released here)…

For instance:

1 – the title gets changed in order to exploit the success of another film that has nothing to do with it. Around 20 years ago, a film called “Four-legged policemen” (I have no idea what the original title was, police dogs were the stars, I suppose) obtained some success over here. Soon afterwards, the film “Loose Cannons” was imported; while nothing else was changed, the title became “Two-legged policemen”. Invariably, the result of this kind of operation is that the few people who go see the movie are disappointed because it’s not a sequel at all and tell their friends not to go see it. The rest of the movie-going population who didn’t like the “first” film, do not go see the alleged sequel because they’re not interested. The result is – every freakin’ time – a complete flop. So why they keep/kept doing it, is way beyond me.

2 – the film is judged not interesting enough for the Italian audience, so – thanks to the devastating magic of dubbing – the whole film gets changed. Examples:

A dramatic film on cavemen and dinosaurs (from the 60’s) that didn’t have any dialogs (might be one million years bc, but I’m not sure) was turned into a supposedly funny film by having a guy talking over the whole film making what were supposed to be humorous comments on every scene. The result was depressing to say the least. The hilarious “Shaolin soccer” (which I saw in its original language with fairly correct English subtitles and really made me roll on the floor) was turned into the worst smelling cr*p I’ve ever seen by having it dubbed by famous soccer players who couldn’t act to save their humongous bank accounts and by using local (Italian) dialects, not to mention what was done to the original lines. Again, this kind of thing results in abismally unsuccessful films, so why they keep/kept doing it, is way beyond me.

There’s a lot more, but I guess you got the general idea.

I love the idea of famous soccer players dubbing Shaolin Soccer – it almost makes me want to see The Mighty Ducks dubbed by mush mouthed athletes from the NHL, or A League Of Their Own dubbed entirely by the starting line-up of the NY Yankees.
A League Of Their Own

After bmj2k questioned the legality of such a move, Mac added:

Because the title was in Italian (Balle Spaziali, where balls may mean both “lies” or “testicles” as in English – how refined…), so the rights are probably with the Italian distributor or whatever.

Copyrights are the craziest thing.

Ruh Roh

Howl's Moving Castle
We’ve finally settled into our new place, although we’re still waiting out the usual suspects as far as utilities go – no internet till Thursday is my understanding. Hopefully that won’t interfere with tonight’s Mulligan story, but we’re sort of playing things by ear at the moment.

The best piece of news is that we (and by we, I mean a trained professional) have corrected the carbon monoxide concern, so everything is safe and fantastic.

Now I just need to figure out where all the light switches are.

More Updates To The Updates

Villagers From Frankenstein Get Out Their PitchforksJust to clarify, the new Ruby is now up, and available below or via iTunes. Libsyn, our podcast host, had this to say about the issue:

Update [10/5/2010 2:00am EST] The issue has been traced back to a bad DNS record that propagated out to parts of the internet earlier this evening (starting around 9:00 PM EST). The entry has been fixed and all systems should be back up for users everywhere now or very soon. – Libsyn Support Blog

So please put down your pitchforks and return to your mp3 playing devices, we appreciate your patience.

Flash Pulp 076 – Ruby Departed: Melody, Part 1 of 1

Flash PulpWelcome to Flash Pulp, Episode Seventy-Six.

Tonight, we present Ruby Departed:
Melody, Part 1 of 1
[audio:http://traffic.libsyn.com/skinner/FlashPulp076.mp3]

Download MP3
(RSS / iTunes)

This week’s episodes are brought to you by the Flash Pulp page on Facebook.

Think of it as your six-foot, three-and-one-half-inch imaginary rabbit friend, without the accompanying alcoholism.

To join, click here!

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight, Ruby shelters from the zombie apocalypse amongst the memories of a woman named Melody.

Flash Pulp 076 – Ruby Departed: Melody, Part 1 of 1

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

Ruby Departed: Melody 1Ruby Departed: Melody 2Ruby Departed: Melody 3Ruby Departed: Melody 4Ruby Departed: Melody 5Ruby Departed: Melody 6Ruby Departed: Melody 7

Flash Pulp is presented by http://skinner.fm. The audio and text formats of Flash Pulp are released under the Canadian Creative Commons Attribution-Noncommercial 2.5 License.