Can’t keep coming back here and seeing Why Do You Think You Are Nuts without posting the remix.
Crunch ‘n Munch [Crunch grown on plantations under the blue skies of the south pacific, Munch being harvested above the 67’N latitude, found amongst the thaw of the spring tundra] is really the only food that can turn nuts into the most rewarding part of the eating experience. Despite my falling away from cracker jacks, somehow Crunch ‘n Munch maintains a firm place in my stomach [with all the nuts clumped at the bottom].
Still, otherwise nuts are just wood – even their stealthy legume cousins, which are really just clever imitations of wood, and will otherwise never rise above the middle of the pack in any given combination of ingredients. Even almond M&Ms, the Cadillac of M&Ms, are still largely delivery mechanisms for chocolate and candy.
The news media, long being a tug of war between information and idiocy, often displays its worst tendencies on the CNN front page:
Huh. I’ve also heard that there’s no good way to turn putting down your dog into edutainment, nor any good way to sit in a tiny overly white room as your family huddles around the last rattling gasp of a dying grandfather. I wonder how many child soldiers, after a long afternoon of removing the hands from an entire village’s worth of corpses, think: “Jeez, really, shouldn’t there be a good way of doing this. Where’s the job satisfaction? Where’s the laughter? Maybe we should institute casual Fridays.”
One of my favourite bits of work by Jack Nitzsche, who worked with Neil Young and, as you can definitely hear by the end of the song, Phil Spector.
Personally though, I sort of prefered it as the theme to tiny Ron Howard and giant dancing Beau Bridges.
I’ve been remembering my dreams quite a bit lately, so I thought I might start imparting them here.
Last night I dreamt that we – meaning my compound family – lived in South Dakota – it being the kind of dream that is for some reason very specific about location – surrounded by houses that we felt a paranoid mania about watching. We’d scurry in the dark across massive and empty hard wood floors, from bay window to bay window, hiding behind huge white vinyl hanging slats. All to observe, from a distance, the kinds of houses you might find on the edge of a small town golf course.
The bulk of the dream focused on something threatening that I can’t quite recall, but there was an on going side plot involving us trying to puzzle out if Anderson Cooper lived in one of the houses. It was especially odd that what prevented us from really being sure was that he kept entering and exiting the house with Burt Reynolds (amongst others).
I’m not sure what this means, or what had us worried in the first place. Drug dealing werewolves spring to mind, but that might be a post-waking mad lib.
Still no regular content, which should change shortly, but I did want to mention that I’ve just theoretically* sold a story for the January issue of Necrotic Tissue.
There are a variety of reasons I’m pleased about this, but possibly my favourite is that I get a t-shirt out of the deal. Pictures will follow when* it arrives.
* Like a quantum physicist, I’ll believe it when I see it.
“So, are ya?” He’s maybe twelve, wearing blue shorts and a Mexico City Raptors t-shirt, a leg up on the wrought iron patio fence. My lobster is getting cold.
“What?” I ask.
I realize he’s holding up a thin rectangle the size of a credit card, alternating his squints to get the thing’s picture to match my face.
“CEO Benjamin “Crush ‘Em” Hinton?”
I remember signing off on licensing my likeness to FlatMedia last May, but I hadn’t seen the cards in the wild.
I ignore him.
I missed it when it originally went up, but you can find the full story in their archive.